After the Fall of Efrain
With the Prince of Sorrow's Song dead and gone, the opera dissipates, spitting its victims out on the summit of Crane's Ridge where the Dance of Celestine was held some months before. It's getting late, and there is no one yet in town to run the train. Some will brave the trip home simply for the sake of collapsing into their own beds and achieving some sense of normalcy. Others will do so with the hope of returning with help. But many others will simply say "fuck it" and camp out on the mountain, still fitted with extra firewood from the festival and the means to build temporary structures in nearby storage sheds. The journey down will be safer in the morning, and there's solidarity to be had in a cool spring night spent under the stars.
Oh, look, there's even some non-perishable food and wine from the Dance. Combined with what can be hunted or foraged, as well as snacks and drinks stolen from the concession stand, there's plenty to go around. This might even be a little bit fun! Anyone up for another game of Never Have I Ever? Maybe a little Truth or Dare? Or perhaps you just want to chat and unwind with your friends. Whatever the case may be, have fun. This is your time. After darkness, there is a dawn. At the death of Sorrow, there is joy.
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Then, carefully even: "May I try again, the calming spell I did last night?"
Even if all it gives is a little temporary peace, she feels she owes him that. If he wants it.
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"It can't hurt," he sighs, keeping his eyes down, watching where her hand holds his.
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"Psalms 131," she says, and looks up into his face.
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"... Thank you," he sighs. The hand that isn't held fidgets with the edge of the table. "I... I apologize. I'd dare say I, ah... acted less appropriately than I'd like."
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He looks down.
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(He remembers, a long time ago, another cleric doing the same for him: Jester, teaching his knuckles to knit themselves back together after he'd split them open on Powell.)
"... I would... like that very much, I think. Thank you."
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(The thing about how Zivia casts spells is: each of them is a prayer, an invocation of her god, in combination of praise and plea. The specific words aren't as important as the act of saying them and meaning them. And for the healing of wounds, there are a positive abundance of applicable lines in the source she favors; she puts aside a few options in favor of the one that seems most right.)
"Haropheh l'shvurei-lev," she murmurs, gathering her will, "umekhabesh l'atzvotam."
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It's as if his hands are remembering how they were. The indentations raise. The pain eases.
He doesn't take his hand out of hers. "I don't know how to thank you," he murmurs, and it's for more than just this.
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"You can keep me in mind next time you pray," she suggests, her voice as quiet as his. "Or just, you know ... stick around, all right? Don't hide out if you can help it."
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"I'll certainly keep you in mind. And... well, I'll do my best. For now, words will have to do."
So with all the meaning he can muster into it, and all the gratitude of those who have been thrown a lifeline: "Thank you, Zivia."
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